I am currently testing different solutions that will give me an alternative tollkit that can be used when 5D Mark II + 17″ MacBook is a bit heavy…
Right now I’m testing this combination:
– My current phone (iPhone 4) - A canon SX230HS - An EyeFi X2 8GB SD-card - ShutterSnitch app on the phone
The SX230HS is small enough to be way more practical than the 5D for certain trips. And good enough to be worth carrying in addition to the camera already in the iPhone.
But I also need the speed and simplicity of publishing that the camera in the phone gives me. So I was plesantly surprised when I could conclude that my EieFi-card talks directly to my phone when the personal hotspot is activated.
If I run ShutterSnitch on the phone while the hotspot is active it happily receives images directly from the camera when I turn it on.
There are some issues with a lost connection after some inactivity but I’ll keep experimenting.
The images in this post are snapped with the SX230HS, transferred directly to the phone, edited and and added to the article. Everything on the go.
Since 2005 I have done different projects documenting the change of the seasons outside our living room window. The first project was a couple of stills taken with a compact camera. The video I made got nearly 100 000 views on YouTube. Not much today, but this was in 2005…
The next video I made was done in 2007 and with a Canon 400D. Based on stills shot at irregular intervals. That video got more than two million views on YouTube, one million on Vimeo and was featured on CNN, The Weather Channel, NHK in Japan and countless other TV stations, web sites and exhibitions.
But none of these three projects have been a true time lapse. They’re not videos based on a camera that has snapped images at regular images all through one year.
The true time lapse
I placed my old SLR in our window in january last year. Hooked it up to our home server and gave it power through an adapter. Then I used software to control the camera. It has snapped one image every 30 minutes for one year now. Both the Mac and the Camera was hooked up to a UPS as well. I have lost a couple of images due to some computer crashes and camera crashes. But in general the system has been remarkably stable and given me more than 16 000 images to play with.
The camera was my trusted old Canon 400D with an EF-S 10-22. Used for several years before I bought my 5D Mark II. I mounted it on a special shelf and covered it with black cloth to avoid reflections in the window. I actually glued the camera to the shelf to make sure it wouldn’t move for a year. Then I did some test shots and ended up with ISO400 and f6,3. The exposure time was set to auto along with the white balance.
I decided to shoot both RAW and high quality JPG. The only problem I’ve had with the camera is a couple of crashes while it was transferring the image to the computer. Something that could only be solved with a complete reset of the camera. Not turning it off and on again. But cutting the power completely and power it back on.
And at this point it’s time to thank my family and all people visiting us during this year. We’ve had an SLR in our living room making a clear shutter release sound every half hour for a year…
How I made the video
One of the things I wanted to do was to make a true time lapse. The first video is the two minute version that you saw at the top of this post. It’s made of images shot during the day all through 2010. First I added all the images to Apple Aperture. In general I prefer Adobe Lightroom, but I couldn’t do all the time based selections and searches I wanted in Lightroom. So, I used Aperture to select images. I exported all images taken between 0900 and 1400 because I wanted daytime images only for this video. Then I imported them to Lightroom to do some adjustments. Better white balance, some sharpening, lens correction etc.
Then I exported all the images as TIFF to a folder. To make a movie of all the stills I imported them to MPEG Streamclip and exported a QuickTime using the lossless Apple Intermediate codec. That huge 3888×2592, 30fps video went into Adobe Premiere CS5 for finishing. That’s where I added the music, text and slow zoom. Because the original image is very high resolution I could do a digital zoom even on the 1920×1080 video I wanted to make.
It is licensed with a creative commons license. Meaning that you can use it for whatever as long as it is non commercial, you give me credit and you share any alterations with the same license.
I’ll also make a full quality version with no eirikso.com-logo available for purchase to the people that want to use the video commercially.
What about the night shots?
I am working on a video based on all the images. Nine minutes in total. The geek version. That will feature images from both day and night.
How can I support your work?
Register at flattr.com and push the button at the bottom of this article.
Or send me something on my wish list:
- a Canon EF 100mm F2.8 L Macro IS
- a Fujifilm FinePix X100
- or maybe a Canon S95…
Hahahaha. That last idea was kind of stupid. Can’t think of anyone that would do that, so even better: Spread the word and protect the environment. If we destroy mother nature she will stop producing wonderful stuff like this.
This is Eirik Solheim's prize winning experiment. I use this page to share information about media, marketing, technology, photography and stuff I find important. I have been running this page since 2003. And since I started using Statcounter in 2005 more than 2 million people have visited my site.
Eirikso on the web: Follow me on Twitter - My images on Flickr - Videos on YouTube