1. One train
2. A subway station
3. The Canon 5D Mark II
4. And a Canon 15mm f2.8 Fisheye
Passing a subway station from Eirik Solheim on Vimeo.
Place the camera firmly against the window. Start video recording just before you approach the station. Add a stupid sound from the default Apple audio library.
Exact location: Nationalteateret station, Oslo, Norway.
…and you can click through to Vimeo to watch the video in HD.
Recently one of my CF-cards suddenly lost all images and movies from my Canon 5D MarkII. When inserting it in the camera it just said “no images” and when inserting it in my computer it displayed huge amounts of strange files with strange names.
A quick question on twitter ended with these recommendations:
Camera Salvage (Mac)
Digital Photo Recovery (Windows, free)
Smart Recovery (Windows, free)
Photo Rescue (Mac and Windows)
Thanks to @moltke, @willytk, @rudolfsen, @magnusak, @mortend, @evensr. Now go follow them. They’re helpful people.
But before booting to Windows or buying one of the Mac apps I wanted to try a small free program called PhotoRec (Mac, Win, Linux). By the way also recommended by @willytk.
And it did the trick. People might be scared of the command line, but it was fairly simple to choose the card, select FAT as the file system, choose a location to store the rescued files and start the operation.
One of the images with some corruption.
PhotoRec is currently ticking away. And it seems to find all the files on the card. Both images and movies. Two of the images have some errors on them, but I can live with that. 8 gigs of movies and RAW images rescued…
So now you know. In case you experience something similar.
Thank you for all the good advice. On twitter and here in this blog. This weekend I did the final shoot-out between the 24-70 f2.8L and the 24-105 f4L IS. Because I do quite a bit of video recording with my 5D MkII I settled with the IS-lens.
So now I’m covered with image stabilized L-sharpness from 24 to 200 mm. With the 24-105 and my 70-200. But it’s all at f4 and up. For really low-light work I have my trusted 50 mm f1.4 and when deciding on the not-so-fast 24-105 part of my plan is to add some more primes. Canon have some tempting primes as well. 24mm f1.4 L II and 85mm f1.2L…
But right now I’ll play around with my current range of glass for a while:
50 mm f1.4 USM
15 mm f2.8 fisheye
24-105 f4L IS
70-200 f4L IS