Thank you for all the good advice. On twitter and here in this blog. This weekend I did the final shoot-out between the 24-70 f2.8L and the 24-105 f4L IS. Because I do quite a bit of video recording with my 5D MkII I settled with the IS-lens.
So now I’m covered with image stabilized L-sharpness from 24 to 200 mm. With the 24-105 and my 70-200. But it’s all at f4 and up. For really low-light work I have my trusted 50 mm f1.4 and when deciding on the not-so-fast 24-105 part of my plan is to add some more primes. Canon have some tempting primes as well. 24mm f1.4 L II and 85mm f1.2L…
But right now I’ll play around with my current range of glass for a while:
50 mm f1.4 USM
15 mm f2.8 fisheye
24-105 f4L IS
70-200 f4L IS